If Ranting Is What Works

If you’re a romance and/or erotica author with a Twitter feed that you’ve looked at more than once over the past couple of days then you’re likely to have seen people discussing some author moves that seem – when looked at with a skeptical eye and then passing that skeptical eye over to the Amazon rankings – a little suspect. The words ‘publicity stunt’ got tossed around and it’s hard to disagree with those voices. I won’t mention the authors here; I don’t know them, I’d never heard of them before this weekend, I’ve never read their books and I have no idea if the books are good, the voices are valid or what their motivations are. But for a new-ish author with a book she’s really proud of that’s doing alright but hardly burning it up the Kindle charts, it’s hard not to feel defeated.

I’d taken to Twitter and Facebook to say, can’t we just write good books, put them out there and hope for the best? But really, that answer is naïve. Every author knows that you have to do some degree of promotion and, unless you’re in the upper echelons of writer fame, that promotion falls almost entirely on the author’s own shoulders.

So no, an author cannot just write her book and hope for the best. She must promote it. But the question is how? How to promote? And it seems that at least two writers this weekend, either intentionally or not, have stumbled upon a good way. Put a rant up on a blog… and then watch the fallout ensue and your sales rise.

It is all well and good for me to stick my nose in the air, call myself an artiste and say I do it all for the sake of art and don’t care about the money. But first, I don’t know that I’d deign to call my work art. That seems really egotistical. I don’t know if it’s art, I just know I like it, that I strove to make it the best it could be and hoped others would find enjoyment from reading it. Second – and not to get too Les Mis on you – there are indeed children at home and the children have got to be fed. I’m not above a little hype if it’s gonna mean the hours I spent on my book are going to pay off.

But the truth is, I just can’t bring myself to fake something. And I’m not bashing those who did, if that was indeed their angle. It’s brilliance in its own way, if annoying to the rest of us. I am just really enjoying living my life as truthfully as possible. So I can’t.

Here’s my truth. I wrote a book. It’s called For Her Pleasure. It’s as dirty and depraved and funny and smutty and well edited and well written as I could possibly make it. I had a blast writing it. It was a total joy.

Should you buy it now because it will be gone tomorrow? No. Do I secretly hate you if you like it? Certainly not, quite the opposite.

Is this post going to stir things up in the blogosphere out there and boost my sales?? Probably not. But I thought I’d jump on the bandwagon… and give it a shot.

Words With Willsin

Hello all!

Through the wonders of social media, I've recently had the pleasure of getting to know the extremely charming and talented Mr Willsin Rowe. Willsin and I got to chatting about writing and as one of the few male erotica writers I know, I was really interested in his unique perspective. And I thought you might be too! So here is some of our conversation:

KC: So Willsin, you spoke recently about men being stereotypically visual creatures who lean more towards watching porn than reading about sex. And yet you are a man who not only reads it... you write it as well. What draws you to erotic fiction? What do you think reading about sex can bring someone that watching it cannot?

WR: Well, I'm certainly quite visual myself, of course. I'm still a dude. I'm definitely not averse to seeing images of beautiful bodies - male as well as female. If a bod is hot, it's hot. It doesn't need to be about sex.

But where bog-standard porn falls short for me is in its harshness. I like nothing more than characters who connect with each other before anything physical happens. The kinds of scenes where there's an internal gravity that draws the characters into each other until the only possible outcome intense and passionate love-making.

Now of course, that kind of thing can be achieved in a visual medium. It's just that movies most often fall short of that poignant beauty - at least for my tastes.

The other factor is that I've been in love with words, both as a reader and a writer, since I was six years old. So combining words with sex? That's just perfect!

KC: You are a kindred spirit! I agree with you on all fronts but particularly about being in love with words. More than that, I love when words fit together in a beautiful way and I love and feel intensely curious about the intricacies of sex. So yes, to combine words with sex, to describe a passionate sexual union in a detailed but melodious manner is my favourite writing thing to do!

WR: Mmm...the intricacies of sex. That's it in a nutshell! That's an enormous factor in why I choose to write erotic material.

Now, with romantic and erotic material, there's a tradition of strong and aloof male leads who gradually (and inevitably) open up for that one special lady. Men who dominate any room they enter, and the mere raise of an eyebrow evaporates every pair of panties in the place. Or some variation on that, anyway.

You, however, have written a story which turns that around: female domination. Women who command, men who obey. What is it about a powerful woman that clicks with you? And in turn, what makes a submissive man attractive?

KC: Ah yes, the aloof Dom. I get the allure, honestly, even if it’s cliché. It’s cliché for a

reason! It can be appealing. And to be honest, for most of my life I had indulged exclusively in submissive fantasies and my writing reflected that. So writing For Her Pleasure was a bit of a revelation. I didn’t know I could identify with a powerful Domme. What clicked with me? It was hugely freeing to write from a Domme perspective. In a lot of ways Mistress is opposite to my own nature so to step into her shoes – a woman who is completely self-assured, who is in complete control, who is totally comfortable giving orders and is always one step ahead – felt exciting and powerful and exhilarating. 

As for submissive men, this was another revelation to me. From an outside perspective it might seem that the attraction would be in having a man whom you can just order around to do whatever you want, to fulfill your every sexual whim or desire. That’s maybe partially it… but for me that’s not even half of the attraction. I think what’s important here is to make a distinction between ‘submissive’ and ‘weak.’ To me there is an ironic power in a man’s decision to submit to a woman. Most often our society seems to dictate that men should be in control. So for a man to – first of all, explore enough to realize he finds a sexual thrill in submitting – and then to indulge that desire, to me that is a man who is comfortable with his sexuality and his self-confidence, who understands himself and his passions and doesn’t care about what society dictates. That’s not weak. To me that’s brave and powerful and sexy.

But Willsin, you tell me, what do you like about powerful women? And what about submissive women? Do you have a preference for writing one or the other?

WR: Well, I find myself thinking about the whole nature of “power”. Throughout the history of literature (and, of course, the real world) there are stories of powerful men laid low by the love of women. Men who figuratively (and often literally) prostrate themselves – denigrate themselves, even – in front of the women they love. The whole “I’m not worthy” and “You’re too good for me” line of thinking. Of course, it’s debatable these days whether that’s natural behaviour or the result of watching too many romantic comedies.

It’s also debatable in those cases whether it’s the woman who has power over the man, or whether it’s the man’s own urges which lay him low.

But on to what I love about powerful women...

Firstly, with power comes at least the appearance of confidence. As a naturally reticent person, confidence has a great attraction to me. And its attraction comes in many forms. It could be the businesswoman in her mid-50s who has risen through the ranks on her own terms and without masculinising. It could be the size 16 woman who’s wearing figure-hugging lycra while she jogs down the street. Women who don’t take crap, who won’t play the victim, and who can admit their mistakes.

There’s a far more primal attraction to submissive women, though. There are evolutionary reasons why men are on average taller, heavier and stronger than women. And there’s a deep-down, primate part of a man’s brain that gets a real buzz from being the biggest, the fastest, the strongest. A submissive woman feeds that ancient animal. She tells him without words that he is in charge. He is the hunter and she is the cornered prey.

But I don’t specifically have a preference for writing one or the other. What really works for me is a strong combination of the two extremes, as Katie Salidas and I wrote in our “Consummate Therapy” series. Our heroine, Natasha Blakely, is an immensely powerful woman. A billionaire with her own empire, and with an addiction to coffee, cigarettes and pretty boy gigolos. Our Dom, Master Sweet, is charged with teaching her the value of submitting, of letting go of the reins sometimes, even if it’s only for an hour or two. Natasha’s internal struggle, and its outward manifestation of rebellion and pettiness, really clicked with me. And it was so much fun to write her in all her smart-mouthed bitchiness!

See what I mean, everyone? Willsin was so much fun to chat with. So much so that our chat didn't end there. Head on over to Willsin's blog here to see the rest of our convo. 

And guess what? The first book in Willsin's "Consummate Therapy" series is free right now! Click on the link and it can be heating up your ereader in mere moments. 

Of course my For Her Pleasure is still free in the UK and should also be free from Amazon US soon. You know I'll keep you posted.

Comments? You know where to put 'em. 

KC 

 

Free Femdom!

Hello everyone! 

This is just a short post today to let you know that I have free stuff available!

For a limited period of time both For Her Pleasure and the Forever Bound antho are being offered for free from Amazon UK. So click on the links and download your free copy while you can!

Want to show your appreciation for this offering? A review would be much appreciated! Currently both books have no reviews... you could be first! If you use Amazon at all I'm sure you know how helpful honest, well thought out reviews can be in your decision to purchase. So leave your two cents and let others know what you thought.

Currently this is just being offered on the Amazon UK site and I am waiting to hear if Amazon US will be following suit but it's possible they won't. I'm unsure if readers outside the UK will be able to take advantage of this free offer so if you try and would like to share whether you were successful or not, feel free to leave a comment or email me. 

Bottom line, if you are in the mood for some torturous tease and denial, foot worship, erotic humiliation and general femdom kinkiness... now's your chance to have it for FREE.

Cheers everyone!

KC

Miyuki, The Silence of Deep Snow

Hello everyone! 

I have the lovely and talented Carla Croft back at my blog today to talk about her latest release, Miyuki, The Silence of Deep Snow. I feel a special connection to this book because Carla mentioned the submissive Japanese character Miyuki to me way back at the inception of her new novella. Carla was also kind enough to include me in the book's acknowledgements. So it was great fun to be able to see her work come to fruition... and ask her a few questions about it!

KC: Carla, one thing that definitely shines through your book is your interest in Japanese culture. Can you tell me how and where that interest began and why the culture has struck a chord with you?

CC: My first introduction to Japanese culture was through Martial Arts when I was young. I've studied them deeply ever since and fell in love with the whole feel of the culture: the ethic, the link with nature, through Shinto and focus through Zen. This holding on to now, living each moment each feeling, it's very precious. 

I was taught to learn Martial Arts the traditional way. You are not taught, you watch. You 'steal' what the teacher is showing you. As an author I now steal moments. Snatches of conversation, a look, a glance, a gesture. 

You might laugh but I saw a very old documentary once about Oliver Hardy from Laurel and Hardy. He described how he wanted to be an actor from a very young age. He was very lonely as a child because of his size and so he studied people. He snatched gestures and mannerisms. If you watch the old black and white movies, before the talkies, you get a sense of the over dramatic use of acting. With no sound you have to exaggerate. 

It was the best description I have ever heard of what actors and martial artists do to learn and how I myself work as an author. I can't watch a film or people without noticing something and trying to work it into a book. Once you get the exaggerated effect, you then have to tone it back down. 

It's the same with Martial Arts you have to learn big then refine. My life and my writing is a constant refinement. If you don't have the discipline to rewrite the same passage over and over again you will never be a writer. Small changes can make a huge difference in the shift and balance of a sentence, of a phrase. A wrong sentence or word can throw a story. I took out a lot of expletive language from Miyuki because it just didn't fit the story. They weren't words that I associated with Dom, Miyuki or Carla. I still think I could have refined it more.

I get the feeling that my whole life to date has been a preparation of my life as an author. It's very exciting.

KC: One of my favourite mini-series of all time is Shogun, based on James Clavell’s novel of the same name. There were times when Miyuki reminded me of Lady Mariko, guiding Carla through her world of domination and submission. When you began your own exploration of D/s did it feel a bit like that to you, like a foreign land? Or did you create that feeling for the book?

CC: I have seen Shogun too and read the book. I adored it. 

Yes there is a link between Miyuki and Mariko. I think I had Mariko in mind in some of the descriptive elements of Miyuki, the way she knelt, mannerisms; her way of talking. I certainly felt like Blackthorne thrust into a world he didn't know but came to love. He too fell in love with the culture of Japan just like in the story I came to appreciate the D/S relationship. 

I think there are parallels between the two stories with that sense of exploration and falling in love. The frightening unknown. Shogun was so well written. Being a Pilot, Blackthorne was used to the sense of exploration and danger. He very much existed in the moment, which enabled him to open up to the Japanese culture he found himself in. That life then opened him to the exploration of the culture but also opened him up to the ship wreck of losing Mariko at the end, just like he lost his ship at the beginning. He completed the circle. Such a satisfying book in so many respects. The echoes and undercurrents in Shogun are amazing. I could never hope to write anything like that. But I tried very hard in Miyuki to do so. 

I haven't personally experienced a D/S relationship. That is why I had to research and craft the world of Miyuki very carefully. I had to do it justice. You are writing about how real people live and love. That deserves respect and you must get it right.

KC: In your book Carla does a lot of musing about the nature of the D/s relationship, the balance of power that exists between the Dom/me and the sub and where exactly the power lies. How does Carla the writer see that balance? Do you think there is a D/s ideal, when it comes to power exchange?

CC: As a writer, I was very keen to redress the stances adopted in some very bad D/S books that have been published recently. They have been written, as far as I can see, with no thought of what such relationships are like, why the exponents enter into such relationships, how they work or what they expect. That is why I did my research and had the enormous help of one particular lady, who I mention in the credits. These relationships are beautiful done well and ugly done badly, just like any other. They are not abuse, although some people may see them as that. I wanted to show people the beauty in them, the normality that exists for the people in them, but also to create a feeling that they are set apart slightly from the world; but being remote are something exciting, to be explored and wondered at. 

It was also an exploration, for me, of the type of people. The Dom and the Sub play their roles, yet strike a balance. They cannot exist without each other. They are interdependent, like the mountain and the snow. The height of the mountain creates the snowfall, the snowfall softens the mountain and eats away at it, yet the mountain remains strong and supports the snow. I see such relationships like that: an energetic relationship constantly changing, beautiful. There is no ideal D/S relationship, just like there is no ideal in any other relationship. You have to open yourself up and listen to your partner and take responsibility.

  

KC: You mention in your acknowledgements that you researched the art of shibari in the course of writing this book. Tell us more about that! Were there aspects of it that surprised you? Were there experiences that resulted from submitting this way that you weren’t expecting?

The research for Shibari was done the same way, by talking to a practitioner and listening. I have not experienced it. Maybe one day I will. I can easily imagine things, so once I had the answers to questions like the smell, taste, texture of the rope and even to some extent the sound of it, I had all the imagery I needed to write it. I had it proof read by the lady in question who corrected the errors. If any errors remain they are solely mine. The thing that came over for me, was the love of the rope, an adoration. I tried very hard to get that feeling down on paper. It was a very Zen thing for me, to be bound but you surround the rope. It is a question of 'head space' as the lady put it. 

KC: Where do you go from here? Tell us about your next book!

CC: Carla's experiences continue in the next book. It very much follows on from Miyuki. Carla contacts Izzie and, well let's just say, Carla's education goes deeper. She explores darker themes, but in a good way. 

This series of books is all about an exploration of one person into a sexual side of her that she does not know exists. It also gives her the chance to explore and come to terms with, other sides of herself she did not know, or had forgotten. It is very much a series about awakening, hence my references to Zen in this first book. It is also an exploration, hence the reference to mountains and wilderness. I wanted to be subtle about it, to show not to tell. Hopefully the readers will follow Carla's journey and think about such things in their own lives - how far would they go? I have the basic ideas for the next book down, but it is going to take some careful planning and the final book in the series (still only in my head) goes deeper still. 

So, whereas the books are labelled erotica and I hope there is enough hot sex in them to get the reader's juices going, I also want Miyuki and the other books to be more than just about sex. I wanted to make a bridge between romance and erotica. Bridges go two ways. People who like romance can experience some language and imagery they had not before and people who simply like erotica can explore some romance. Like Miyuki, the book straddles two worlds, two extremes: duality. Hence the reference to the koan of one hand clapping.

If anything this book was about me growing as an author of erotica. My first books satisfied a need in me to get sex down on paper. Now I can take the time to explore me a little, refine my writing and hopefully entertain along the way.

Download Miyuki here.  

Find out more about Carla at her blog.

Another Behind the Story with KD Grace

Hello All!

In case you missed it, I wanted to do a short post here to let you know I blogged more about my inspiration for For Her Pleasure last week over at KD Grace's place. Particularly, I delve into how I came up with the voice for Mistress. I hope you'll pop over and have a peek here.

Cheers!

KC 

Welcome KD Grace

Hello lovely readers!

I have such a treat for you today! I hope you'll join me in welcoming the wonderfully talented KD Grace to my blog!!! *cue applause* ;) 

Like me, KD is originally Canadian, unlike me from the west coast, and she now calls the UK home. I first heard of KD through her hot short fiction contributions to Mischief Books and Xcite Books anthologies. Through Facebook I was delighted to find out that aside from being a talented purveyor of smut, she's also just a really sweet person. You can read more about her bio at the end of this post, but for now I invite you to sit back and enjoy while I talk to KD about her exciting new book, Kinky Boots!

KD: Thanks so much for having me over, Kyoko. It’s such a pleasure to be here and to be interviewed by you. 

KC: The pleasure is all mine, KD! So tell us, how did you start writing erotic fiction? Did you try any other genres? Do you write any other genres now? 

KD: I’ve always been able to write sex scenes and love scenes well, even back in the day when I was struggling to find someone to look at my non-erotic work. One day I bought a copy of the now-defunct UK magazine, ‘Scarlet,’ which was a sexy mag for women. It had a section called ‘Cliterature,’ which accepted submissions from erotic writers. I thought to myself, I could do that. I sent a story. They took it! Not only did they take it, but they sent me a cheque! Up until that point the only thing any place I’d ever submitted to sent me was a rejection letter, and usually a form letter at that! I liked the cheque MUCH better. I published several short stories with them, before being introduced to Adam Nevill, who was then the editor for Black Lace. I had several stories published with Black Lace before they went out of business the first time, then Xcite Books published The Initiation of Ms Holly and I’ve never looked back.

   KC: I can definitely relate to your story! My own has some striking similarities - I have much to thank Adam for myself.

   KD: It wasn’t my intention to stay in erotica, but I found I just had too much fun, so I’m still writing it. However, I am working in several other genres at the moment, including romance, and I’m working on a burlesque play in collaboration with the very talented Moorita Encantada, who is a burlesque performer, artist and entrepreneur in London. Definitely outside of my comfort zone, but great fun!

   KC: Wow! That sounds like a lot of fun! I have so much respect and admiration for an artist ... and really anybody... who is willing to take risks on something different and/or outside her comfort zone. Life can be so much fun when you take calculated risks! I wish you lots of luck with your burlesque play. So, tell us how the magic happens! Where do you write? How do you get inspiration?

KD: I have a room upstairs that was supposed to be my writing room, but I didn’t like it. I couldn’t see out the window. I need to see out the window when I write. So I write in a ratty black leather recliner in the back of the living room or at the dining room table. My end of the table is avalanching with books and papers and mags and all sorts of writerly stuff that has to be quickly stuffed away when we have guests.

   As for inspiration, for The Initiation of Ms Holly, I got it from being trapped in the Eurostar tunnel beneath the channel. The Lakeland Heatwave trilogy was inspired by being caught in a heavy mist on a mountain walk in the English Lake District. Kinky Boots was inspired by a walk around the Shoreditch area of London which had a large number of really quirky shoe stores. Basically inspiration can come from anything for me, and I never know when or where I’ll get the next idea.

   KC: Kinky Boots is a paranormal erotic romance. Have you written paranormal before? How do you feel about the subgenre?

KD: Yes. My Lakeland Heatwave trilogy is paranormal erotic romance. Though I’m just as happy writing contemporary erotic romance, I really love writing paranormal too. I think the reason is that sex and romance are such magical topics anyway. Don’t we all feel like we’re experiencing magic when we’re having great sex or when we’re in love? Also there’s just something really fun about a world where everything is possible. I don’t do vampires or werewolves. Lots of other people do them way better than I ever could, but I love witches, demons and ghosts. Oh, and succubi.

   KC: I loved reading on your site about how you came up with the story for Kinky Boots. It had a lot to do with the location, Shoreditch. Does setting often play a role in how a story evolves for you?

Shoreditch Town Hall

KD: Very much so! In fact, I can’t think of any story I’ve written that isn’t very location-centric. The Lakeland Heatwave trilogy could have never been written about anywhere else and Kinky Boots would have never had that sense of quirkiness if I hadn’t taken that walk in Shoreditch. I love reading novels in which I’m pulled in by the place and want to just settle in with the characters and stay. And it’s easiest to write about places I know and love. Each time I write, it’s almost like I get to go there again in my head.

   KC: Eleanor is an interesting character, seeing as how she’s not of this world! How did you come up with her voice? Did you have a difficult time imagining her motivation?

KD: I’ve always loved toying with the idea of two beings living in the same body, and when I created Eleanor my focus was on what it would be like to be such a vivacious sensual being, but have no flesh with which to experience all the pleasures that having a body afford us. Keeping that in mind as I wrote her made it easier. The first time I was in Eleanor’s head, what I didn’t expect was how careful she would be with Jill because of her reverence for flesh, for what it means to be able to fully interact with the world through a body. Also, I hadn’t actually realised just how much she cared for Finn and just how lonely she was. Those were all things that sort of unfolded as I wrote her.

   KC: What about writing the same character from different points of view? Eleanor shows up in both Finn and Jill. She is the same character and yet part of two different people. Did you try to be really consistent with the character or did you try to make her slightly different to reflect the body she inhabits?

KD: Ultimately Eleanor is female, so she’s never really keen about sharing Finn’s body or Meinrad’s. In fact the whole reason she possesses Jill is so she can enjoy Finn’s body sexually. She was never really more than a temporary visitor in Finn’s body, and her arrangement with the Sole Alliance was sort of like staying in a different hotel room every night. It was never really a home for her. So, no. Eleanor was always Eleanor, along for the ride. But she was able to be much more herself when she inhabited Jill’s body.

   KC:  Do you have a favourite pair of sexy boots? Shall I ask if your inner sex demon comes out when you wear them?? ;)

KD's 'move-your-arse' boots!

KD: Ha! My favourite boots aren’t very sexy at all. They’re my walking boots, and they’ve walked clear across England with me from Coast to Coast two years ago. The demon that comes out in those boots is more a ‘move-your-arse-you’ve-still-got-five-more-miles-to-walk’ demon. Though she might have just inspired a little lovin’ al fresco on occasion ;-)

   KC: What was the first sexy or erotic book you ever read?

KD: Anais Nin’s Delta of Venus

 

   KC: What’s your all-time favourite book, sexy or otherwise?

KD:  

Sexy: Charlotte Stein’s Control

Romance: Nora Roberts The Black Hills

Other: Marion Zimmer Bradley’s The Mists of Avalon

   KC: Can you tell us what you’re working on at the moment?

KD: I’m working on the burlesque play I mentioned earlier, which I hope to have finished shortly, and then I’ll be writing The Exhibition, which is the third romance novel in Grace Marshall’s Executive Decisions trilogy. Very excited to get going on that!

KC: That all sounds very exciting! I am once again lamenting not being in the UK to experience the premiere of what is no doubt bound to be a fun show! I'll look forward to further details on all of your projects. Thank you so much for talking to me today, KD. 

KD: Thanks so much for having me over, Kyoko. Very much a pleasure to be your guest and have such a fun chat with you.

Passion is the journey, love is the destination.

After a sizzling encounter in Demon Heels, a quirky all-night shoe store, with the store’s hot owner, Finn Masters, Jill Hart walks away in the most gorgeous boots she’s ever seen.Her new boots come with an unexpected bonus, a sexy demon named Eleanor, who’s looking for a good time. All she lacks is a body, and Jill’s will do nicely.

Jill quits her dead-end job and, not knowing what’s come over her, unwittingly participates in something she’s never done before. But it’s Finn’s job to prevent Eleanor’s misbehaving while in possession of Jill – he’ll have to ride shotgun and do damage control until Eleanor moves out at the next full moon.

But with Eleanor in residence, Jill’s bolder, sexier, willing to take risks. Will the maddeningly magical ménage make Jill’s dreams come true, or will it break her heart?

Buy Kinky Boots Here
Amazon UK
Amazon US
All Romance eBooks
Barnes & Noble
iBooks
Kobobooks.com

About K D Grace

K D Grace believes Freud was right. In the end, it really IS all about sex, well sex and love. And nobody’s happier about that than she, cuz otherwise, what would she write about?
When she’s not writing, K D is veg gardening or walking. She walks her stories, and she’s serious about it. She and her husband recently walked the Coast to Coast rout across England. For her, inspiration is directly proportionate to how quickly she wears out a pair of walking boots.
K D has erotica published with Xcite Books, Harper Collins Mischief Books, Mammoth, Cleis Press, Black Lace, Erotic Review, Ravenous Romance, Sweetmeats Press and others.
K D’s critically acclaimed erotic romance novels include, The Initiation of Ms Holly, The Pet Shop. Her paranormal erotic novel, Body Temperature and Rising, the first book of her Lakeland Heatwave trilogy, was listed as honorable mention on Violet Blue’s Top 12 Sex Books for 2011. Books two and three, Riding the Ether, and Elemental Fire, are now also available.
K D Grace also writes hot romance as Grace Marshall. An Executive Decision, Identity Crisis, books one and two of her Executive Decisions Trilogy are now available. 

Find K D Here:                

                                                   

Websites: http://kdgrace.co.uk/         

                http://gracemarshallromance.co.uk/            
Facebook: http://www.facebook.com/
Facebook Author Page: https://www.facebook.com/KDGraceAuthor
Twitter: https://twitter.com/